Superstar Project 6/174.

thaaillaamal_naanillai WPIMDbLB

Thaayillamal Naan Illai (“I’m Nothing Without My Mother”) is a 1979 Tamil film directed by R. Thyagarajan. The movie stars Kamal Haasan and Sridevi and also has Rajinikanth in a short guest appearance.

Moser Baer’s DVD has two large disturbing watermarks (“Moser Baer” and “West Top”) and no subtitles, so I decided to watch the Hindi dubbed version Aakhri Sangram with subtitles and better picture quality from Eros Now. The Tamil version is almost 16 minutes longer than the Hindi version – some of the stageplay stuff has been cut off as well as the childhood flashback from the beginning. The missing scenes don’t seem too important although it would’ve been nice to see the childhood scene with subtitles as it seems to add some background information to the characters, like a swordfight which eventually gets repeated when the characters are grown up.

aakhrisangram_kamal aakhrisangram_crazy

(I’m going to use the character names from the Hindi version that I watched with subtitles. They might be slightly different in the original Tamil version.)

Raja (Kamal Haasan) is a stage actor who a local landlord’s daughter Pushpa (Sridevi) is madly fallen in love with. Pushpa has a nice pet peacock Balwanta who can be used to guard her room and steal things. For example, once he steals binoculars for her so that she could spy on Raja. She soon realizes that Raja is also spying her. “Very good. He also has a binocular.”

aakhrisangram_peacock aakhrisangram_spying

aakhrisangram_romancegoingon

When the landlord finds out that a romance between Raja and Pushpa is going on, he agrees to marry Pushpa to Raja on the condition that Raja forgets his lower-class mother (played by Sukumari). That would also make Raja the next landlord instead of greedy Mohan who had also hoped to marry Pushpa. Raja disagrees even though his mother insists him to agree to the landlord’s condition. Later, the landlord is trying to marry Pushpa to Mohan but finds out that Pushpa has eloped to live with Raja and his mother. However, until the landlord accepts Raja’s mother to his family, Raja won’t consider Pushpa as his wife.

Rajinikanth plays a righteous goon who has been sent to bring Pushpa back home. He has an awesome intro punch and he’s great in the small role that he has. He almost defeats Raja in a fight but Pushpa interferes and explains that she actually loves Raja and Raja hasn’t forced her to elope with him. The goon understands the situation and leaves the couple alone.

aakhrisangram_rajini aakhrisangram_marry

The situation gets worse when the upset landlord breaks up his relationship with his misbehaving daughter. When Mohan finds out that he cannot become the new landlord by marrying Pushpa, he kills the landlord and is elected as the new landlord as everyone thinks that Raja was the killer. After Raja hears about these events, he disguises as a religious guru and gets the new landlord to invite him to his home. It is revealed that the old landlord isn’t dead after all and Mohan has kept him alive to find out where he has hidden his treasure. Eventually Mohan discovers Raja’s true identity and puts him behind bars with the old landlord. Mohan’s plans to marry Pushpa fail once again because of a phenomenal rescue operation by Balwanta the peacock. Mohan gets banished from the landlord’s lands and the landlord finally accepts Raja’s mother as Pushpa’s mother-in-law as he realizes that greatness is not in the caste but in character.

aakhrisangram_end


P.S. I wonder what the VCD cover of the Hindi version has to do with the movie…

aakhrisangram_vcd

Bollywood expedition update

I continued my Hindi adventures with a 7.5 hours long Dhoom marathon. I liked the third part the most. Abhishek looks just like young Amitabh! I also finally watched 7 Khoon Maaf and My Name Is Khan. All of these are very different than what I’ve used to by watching South Indian movies but still quite enjoyable.

Quick notes from recently watched South Indian movies

  • Kathaswamy: !!!
  • Aa Okkadu: I hoped it would have been better but it still is watchable at least once. Ajay’s role isn’t as big as one might think after seeing the cover. There is a song with some crazy editing and horrible clothing. I love the guys who write the plot summaries on DVDs’ back covers. “The rest of the film is all about whodunit!”
  • Businessman: This movie sadly had nothing special to offer. The hero doesn’t even have to face any major problems.
  • Upendra: I rewatched this one as requested in the end of the film because “IT’S A 2D FILM” but I really didn’t learn anything that I hadn’t get at the first watch. If I’m going to rewatch it again some day, I’ll have to count how many different outfits Upendra has. It has to be somewhere near the world record.
  • Vedam: I rewatched also this one and it’s still one of the best Telugu movies that I’ve seen!
  • Uttama Villain: Kamal Haasan’s newest movie is both very funny and sad at the same time. When comparing Kamal to Rajinikanth, the other big superstar of Tamil cinema, I have noticed that Kamal seems to make more “serious” films (with realistic gravity etc.) whereas Rajinikanth makes epic spectacles where nothing is impossible to him. At least during the 2010s. I should watch more Kamal movies to be sure. (Luckily I like both of these genres.)
  • Crocodile Love Story: Two lovers are trapped in a tree guarded by a hungry crocodile! The movie has its moments but it isn’t as good as it could have been (which is sad because I like crocodiles).
  • Shankar Dada M.B.B.S.: This was actually much better than I expected. I had to watch it because its sequel has Allu Arjun’s special appearance, but it was also nice to improve my knowledge of Chiranjeevi’s filmography as so far I’ve watched mostly the younger Telugu stars.

Bonus clip

Awesome usage of Nokia 2310 (a non-touchscreen model from 2006) in Vedam.

nokia2310

I don’t always write new blog posts when something cool happens, so maybe I should periodically summarize the most relevant unblogged things from a longer period of time into a single post. This is a brief summary of the most exciting film related things that have happened to me in March 2015.

  • The blog now has a new domain name and I even managed to write a new about page!
  • Even though I didn’t yet advertise it anywhere, I made a new high score system for the Magadheera-inspired Warrior Game that I made last year. (My record is now 353.) I hope to add support for touchscreen devices some day but right now I have no idea how to do that. Until that, it’s playable only with mouse or touchpad.
  • I started the Super Star Project which might have been my worst decision ever. My DVD shelf is already so full! I’m glad I’m not doing a Brahmanandam Project.
  • Now I’ve finally seen Student No.1 (Telugu, 2001) which completed my list of movies directed by S. S. Rajamouli, and Gangotri (Telugu, 2003) which was my last unseen movie of Allu Arjun as the hero.
  • Dhoom Dhoom 1+2+3
  • I’m quite a newbie to Hindi cinema since I’ve watched mostly South Indian films. While I’ve seen some random Hindi films before, I haven’t seen anything that good that would make me watch more Hindi films instead of Telugu or Tamil films. Still Hindi films are more popular than South Indian films, so maybe I’ve just watched the wrong movies? Now I started to explore Hindi cinema a little more systematically than before. I began by watching Sholay (1975) which was actually quite good. I was surprised how well the songs fitted in the story, as most Indian films that I’ve seen have at least a couple of songs that feel a little random and disconnected from everything else. I also got DVDs of some newer “super hits”, for example Dhoom and Krrish series, as well as some more or less questionable Hindi movies.
  • Bollywood for Beginners Bollywood for Beginners
  • Just when I started to wander around in the big and scary world of Hindi cinema, one of the greatest Indian cinema bloggers, Filmi Girl, published a book called Bollywood for Beginners. I’ve really enjoyed reading it so far.
  • I remember a day last summer when I traveled around my home town. I laughed silently in my head because I saw a man that I thought looked a little like Dhanush. Then I came home and read the unthinkable news that Dhanush was making his new film Shamitabh in Finland! I missed a screening of the movie in February but this year the Season Film Festival screened two Hindi films, Shamitabh and Raja Natwarlal, so I got another chance to see it. Both of the movies were worth watching even though I probably missed a lot of references to other Hindi films in Shamitabh. It’s funny that the first Bollywood song shot in Finland is a song about toilets. I also made a fool of myself by some very bad dancing when a Bollywood dance group made the audience to try some dance moves in the cinema hall before the show, but I forgot it as soon as an enormous image of Rajinikanth appeared on the screen in Eros International’s short video clip and said “Let’s begin!” which already was more than enough value for the ticket price.
  • At least three interesting soundtrack albums for upcoming movies were released recently: M. Ghibran’s Uttama Villain (Kamal Haasan), Devi Sri Prasad’s S/O Satyamurthy (Allu Arjun, UPENDRA), and Ilaiyaraaja’s Rudhramadevi (Anushka, Rana, Allu Arjun). I managed to watch the live stream only from Rudhramadevi’s audio launch event. It was held in two different cities on consecutive days so that they released three songs a day. Anushka made a grand entrance in a royal carriage and some of the dance performances were entertaining (while some others were embarrassing).
  • Aa Okkadu Aa Okkadu
  • I also have to mention that I got the DVD of Aa Okkadu (Telugu, 2009) which has AJAY in hero role! I hope to watch it as soon as it fits into the schedule of one of my friends who also is an Ajay fan.
  • And finally, I now have Yoddha (2014), the Bengali remake of Magadheera, on (unsubtitled) VCD, so now I’ll be able to make a screencap comparison between the two if I won’t have anything better to do.